Scottish Textile News
The Wool Innovation Prize is an annual competition from The Worshipful Company of Woolmen and The Company of the Merchants of the Staple of England, aimed at individuals using wool in an innovative way in a commercially-viable application.
The winner will receive a prize of up to £10,000 together with a merit certificate to the winner, which will be presented at a City livery dinner.
The competition is open to individuals using wool in apparel, non-apparel, agricultural, horticultural, medical and industrial applications. Wool content must be in excess of 75% of the materials used.
Enter at www.woolinnovationprize.com or contact firstname.lastname@example.org for an application form.
Shortlisted entrants will be invited for interview.
The closing date for entries is 30 June 2020 and the winner will be announced by the end of September.
Textiles Scotland, as part of UKFT, has secured a new exclusive benefit for members: discounts on the purchase of a range of standards from the BSI Group (the British Standards Institution), covering care labelling and children’s clothing.
The discounts are available to members only and the promotion will end on 23 May. Contact email@example.com to access your exclusive discount code or to find out more about membership.
Closing date: 5pm, Wednesday 4 March 2020
Craft Scotland is seeking experienced Scotland-based makers to deliver public-facing, paid-for workshops during the Summer Show, Craft Scotland’s annual selling exhibition to be held from Friday 7 to Sunday 30 August 2020 in Edinburgh.
The selected makers will be required to design and deliver an engaging hands-on workshop giving participants an understanding of a making technique and the opportunity to make a piece of craft. The workshops should be creative, enjoyable and suitable for those with no previous making experience.
We encourage makers of all craft disciplines to apply, however, please consider teaching a craft discipline appropriate in the space available and it must be suitable for those aged 16+.
Held on the entire second floor of White Stuff on George Street, Edinburgh, the Summer Show, now in its eighth year, attracts over 4,000 visitors. The Summer Show is open to the public from Friday 7 to Sunday 30 August 2020, with an invitation-only Private View held on Thursday 6 August 2020.
Find out more here.
A trade barrier is something that slows down, limits or prevents a UK business exporting to or investing in an overseas market. After the UK’s exit from the EU we can expect new barriers for Scotland’s exporters. Trade barriers make imported goods and services less competitive than those produced locally, e.g.:
Last year the UK Government’s trade team launched a UK-wide tool. Businesses, representative organisations and industry bodies can access the tool to log any barriers.
The Scottish Government is now part of the UK-wide team which receives information on trade barriers from businesses in the UK, focusing on those impacting Scotland.
Report a trade barrier at https://www.great.gov.uk/report-trade-barrier/
Please also let Textiles Scotland, part of UKFT, know about your problem so we can support and track your application. Contact firstname.lastname@example.org
Scotland’s international textile exports reached £360m in 2018, up 10.1% on the previous year, according to the latest export statistics from Scottish Government.
Of this figure, £205m was exported to the EU during 2018, accounting for 57% of total international exports.
The industry exported a further £305m to the UK in 2018, which increased 12.3% year-on-year.
Scotland’s total exports (to the rest of the UK and internationally) reached £665m in 2018, up 11.1% on the previous year.
The figures reflect the manufacture of textiles, wearing apparel and leather.
Read the latest figures here.
Textile Scotland, as part of UKFT, is developing a new export strategy to enable the Scottish fashion and textile industry to continue to grow. Find out more about how we can help you grow your export sales or our current grant-supported programme here.
Innovate UK has opened a new £25m fund to support game-changing and commercially viable innovative or disruptive ideas.
Smart is the new name for Innovate UK’s ‘Open grant funding’ programme.
Innovate UK, part of UK Research and Innovation, is investing up to £25 million in the best. All proposals must be business focused.
Applications can come from any area of technology and be applied to any part of the economy, such as but not exclusively:
Innovate UK welcomes projects that overlap with the grand challenge areas but this is not a requirement, as it is also keen to support projects in other areas.
The organisation may consider eligible project costs over £2 million (but not exceeding £3 million), subject to the process set out under ‘Eligibility’.
This competition closes at midday 12:00pm UK time on Wednesday 22 April.
Find out more
Queen Elizabeth Scholarship Trust (QEST) is offering grants of up to £18,000 to talented and aspiring craftspeople in a range of disciplines.
The scholarships fund the education and training of any individual UK resident, aged 17 or older, who would like to improve their craft skills.
QEST has been supporting craftspeople and championing excellence in craft since 1990. It funds traditional college courses, vocational training or one to one training with a master craftsperson.
The charity wants to support excellence in British craftsmanship so is looking for established makers, planning to stay in the UK and contribute to the craft sector.
QEST encourages applications from a broad range of crafts and are excited by contemporary craftsmanship and innovative applications of traditional craft techniques.
Applications close on 10 February.
For more information, please visit https://www.qest.org.uk/scholarships/apply-now/
Last year in a survey, almost 80% of Textile Scotland members said that the growth and success of their business would be through product and process innovation. To ensure our industry continues to grow and thrive, Textiles Scotland secured funding to support a PhD student at Strathclyde University for the next three years to explore how the textile sector can benefit from digitisation and innovation.
Paulius Stulga began his PhD in October this year. We caught up with him to find out more about the project and how Scottish companies can benefit from his research.
Tell us a bit about yourself:
My name is Paulius Stulga. I am from Lithuania, and for the past nine years I lived in Denmark, where I completed my undergraduate and postgraduate degrees in Mechanical and Manufacturing Engineering. My work experience includes working as a production consultant for the Danish Technological Institute in the Centre for Robot Technology. I also worked as a research assistant for Aalborg University in Denmark. Currently I am working on a PhD at Strathclyde University focused on unlocking the potential of digitalisation in the Scottish textiles industry.
What industries have you already worked in?
Having worked as a production consultant in the largest Research and Technology Organisation (RTO) in Denmark, I had the opportunity to explore their vast industrial network. I was involved in digitalisation projects within the wood, metal and OEM industries. Most importantly, I worked a lot with smart technology start-ups that were eager to promote and implement their solutions in the real world. As an RTO, we had the capability to help launch collaboration projects between manufacturing companies and the technology start-ups in order to drive “digital change” and bring more value into their every-day operations and make their resources more efficient. In general, I would summarise that I have worked with many people from different industries and with different backgrounds.
How do you think companies in the textile sector can benefit from digitalisation and innovation?
There are many ways how the textiles sector can benefit from digitalisation. Because of its broad definition, it can mean different things for different companies. For manufacturers, it will provide more efficient processes and operations, perhaps a more streamlined supply chain. For retailers, it can bring benefit by finding new ways to interact with their customers, for Original Equipment Manufacturers (OEMs) it will bring new smart products.
I understand that not everybody has the same capability to involve themselves into something that is still quite new and still hard to wrap your head around all the buzzwords such as Internet of Things (IoT) and Big Data, but the picture is becoming clearer both in the academic world and in real world. A lot of different initiatives are being started that help companies learn more about what Industry 4.0 is, and this could help identifying what that means for a particular company. It is important to identify what is useful for an individual company’s case so that the right tools and technologies can be chosen, especially having in mind their resources as a constraint.
There is so much information and technology out there, it becomes difficult to choose the right path, and more importantly, there is no implementation guide for any specific company with a specific problem in mind.
I think it would be great to show the textiles industry some use cases of Industry 4.0, and describe in practice how can digitalisation be adopted – this will be my focus for the project.
What other industry sectors are already benefiting from digital strategies?
I would say that every industry finds their own benefit from digital strategies, the main observation is that these adoptions are taken by larger enterprises, who have a better capability to explore and implement digitalisation projects into their organisations.
Wind energy companies such as Siemens and Vestas are utilising cloud services to collect data and monitor their efficiency factors from their wind turbines.
Pump manufacturer Grundfos are making smart products and can collect a lot of data from their pumps that are used in real world and send it back to HQ in order to tailor operational parameters for their customers.
In my personal experience, having worked with smaller enterprises, it was always exciting to start dialogues about digitalising their production and how we can make it work for them.
To give an example, I worked with a medium-sized hardwood floor manufacturer where we started developing a smart sensor platform to measure their temperature and humidity throughout their nine-building manufacturing and warehousing facility.
There was also an exciting R&D project where we tried to modify older manufacturing equipment with IoT technology in order to collect more production data and link it with other operational data around the factory and create a more digital manufacturing environment.
How can textile companies access and benefit from your research?
The end goal is to create a guideline for the textiles industry towards understanding Industry 4.0 better and present some use cases along the way. Having the next three years to commit to this project, I aim to develop a useful information toolbox and involve the industry as much as possible towards exploiting different Industry 4.0 technologies and concepts.
It will be a great opportunity for the textiles sector to get up-to-date with this buzzword, as well as understanding what it means for their business and how they can benefit from it.
How can Textile Scotland member companies contact you?
I am physically located in the heart of Glasgow at the Design, Manufacture and Engineering Management Department of Strathclyde University.
I am in close contact with the Director of Textiles Scotland, Jaki Love, who provides a lot of support for this project, and could be a point of contact as well.
If you are interested in participating in our digitalisation research please contact me at email@example.com or Jaki at firstname.lastname@example.org
Craft Scotland has revealed the designers and makers selected to be showcased at Collect, the international art fair for modern craft and design from Thursday 27 February to Sunday 1 March 2020.
Craft Scotland for the first time will have its own dedicated gallery space making it a real focal point of Collect 2020; showcasing covetable artworks in silversmithing & goldsmithing, furniture making, ceramics, textiles and blacksmithing. A mixture of established artists and exciting new craft talent, the eight makers selected represent some of the most celebrated makers working in Scotland today.
Following a rigorous selection process, one of the eight chosen is Araminta Campbell, who is a member of Textiles Scotland part of UKFT and creates textile work which takes inspiration from Scotland’s landscape to create carefully sourced hand woven pieces.
The other makers chosen include Daniel Freyne, Hamish Dobbie, Angus Ross, Jonathan Wade, Mella Shaw, Naomi McIntosh and Rhona McCallum.
Speaking ahead of the show Craft Scotland Director, Irene Kernan said: “We are delighted to be returning to Collect in 2020 as with every year the reputation of the Craft Scotland showcase grows. Last year saw significant acquisitions of Scottish craft by the Fitzwilliam Museum, Cambridge and the National Museum of Northern Ireland. We look forward to championing the work of these eight Scotland-based makers whose craft embraces experimental techniques and innovative materials and plays with scale and perceptions of materiality. It’s these qualities married to an ambition to push the boundaries of their work that makes Scottish craft so highly sought after at events like Collect. With sales averaging £30,000 across the four days of the event in recent years we hope the makers will enjoy financial benefits as well as professional ones.”
Jessica Bonehill, Creative Industries Officer (Crafts), Creative Scotland said: “Showcasing Scottish work at Somerset House this year will highlight craft as one of Scotland’s strengths. The ambitious and thoughtful work selected represents the innovative ways makers in Scotland are re-imagining their fields and enriching our understanding of what it means to make craft today.”
Textiles Scotland, part of UKFT, held the first meeting of the new Industry Leadership Group (ILG) this week at MacRoberts LLP in Glasgow. The ILG, which reflects the size and diversity of the fashion and textile industry in Scotland, exists to create a broad strategy for the industry in Scotland and act as an interface between the industry and government.
The ILG comprises Fiona Waldron of Heriot Watt University, menswear designer Kestin Hare, Jan Young of Barrie Knitwear, Simon Cotton of Johnstons of Elgin, Aidan Queen, Schofields Dyers & Finishers, James Lang of the Scottish Leather Group, James Dracup of Macnaughtons, Solli Brodie of BeFab Be Creative, Vixy Rae of Stewart Christie, Lorna Macaulay of Harris Tweed Authority, Jean-Christophe Granier of the Wilkie Group, Iain Laird of Begg and Co, Paul Walker of Walker Slater and Jan Young of Barrie Knitwear.
Simon Cotton, CEO of Johnstons of Elgin, was elected as chair of the group.
The ILG agreed to focus on developing an export strategy and a skills strategy that focuses on all aspects of the industry from manufacturing to design to the provision of education and training.
For more information contact: email@example.com
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