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Scottish Textile News

  • 22-Jun-2016 12:21 PM | Kimberley White

    The opening this week of its new showroom in Shanghai, provides Perth based Macnaughton Holdings, with an exciting opportunity to develop its growing market in China.  In association with the locally based interiors expert, Shanghai Home Expo Company, the new showroom showcases Macnaughton’s Isle Mill brand of both classic and contemporary wool upholsteries and window fabrics.

    “We first met Shanghai Home Expo in 2015, when they visited us at the prestigious interiors and lifestyle exhibition, Maison & Objet in Paris,” said Bill Wheelan, the company’s Sales Director. “We initially sent them a number of our pattern books, and over the coming months, they sampled a variety of our products.  Having established the market for the Isle Mill’s products in China, they approached us with the showroom proposal, which will see our fabrics displayed alongside many of Europe’s top designer brands.”  

    He continued “The showroom formally opened last night with a grand party, and we now look forward to seeing some nice growth in this fast developing market”

    The company, originally founded at the end of the eighteenth century on the banks of Loch Tay, is one of Scotland’s oldest textile companies, and remains in the hands of the seventh generation of the founding family.   Headquartered in Perth, and employing almost 70 staff at its three sites around Scotland,  Macnaughton  has bucked the recent trend that has seen many Scottish textile jobs disappear, by concentrating on niche markets with an emphasis on exports.

  • 24-May-2016 12:46 PM | Kimberley White

    New awards celebrate apprenticeships in the Scottish textiles industry

    The Scottish Textiles industry has celebrated the achievement of apprentices and their host companies at the inaugural Scottish Textiles Modern Apprenticeship Awards held at Perth Racecourse.

    The Awards, managed by the Scottish Textiles Skills Partnership and sponsored by Glasgow Clyde College, West College Scotland, Alex Begg and Co, Scottish Leather Group, SQA and The Worshipful Company of Weavers, recognised how apprenticeships have made a difference to businesses and careers in Scotland.

    The Awards recognised employers who have fostered new talent by investing in apprenticeships and individual apprentices who have made a significant contribution to their place of work.

    Award winners were announced at an industry event at Perth Racecourse,

    • Small Employer of the Year – Drumbeat/Redshank/Kilts & Trews partnership
    • Medium Employer of the Year – Bute Fabrics
    • Large Employer of the Year – Scottish Leather Group
    • Apprentice of the Year, Level 2- Bruce Easton, The Border Mill
    • Apprentice of the Year, Level 3 – Jack Boon, Alex Begg & Co
    • Apprenticeship Champion of the Year – John Ayton, Scottish Leather Group


    For the full story please visit here http://www.textileskills.com/#!ma-awards-2016/y5zjw

  • 24-May-2016 12:23 PM | Kimberley White

    The Scottish Manufacturing Advisory Service (SMAS) National Conference returns in 2016.

    A Manufacturing Future for Scotland at the Westerwood Hotel on 7 & 8 September will bring together the ‘who’s who’ in manufacturing to help shape the vision for the future of the sector.

    Sponsored by Bank of Scotland, the event is designed to inspire, influence and share expertise across all company sizes and manufacturing sectors. Key themes will include leadership; innovation & technology; investment retooling; energy efficiency and supply chains.

    The two-day event includes a series of manufacturing site visits and high-profile networking Dinner on Day 1 followed by world-class keynotes from business visionaries; practical ‘how to’ workshops from successful industry practitioners and exhibition on Day 2.


  • 23-May-2016 12:50 PM | Kimberley White

    India Street Bazaar compares Scotland’s lost textile industry and India’s thriving crafts, taking the history of the former Turkey Red Industry (from the West of Scotland) as a starting point.

    Seven designers from India and Scotland: Laura Spring, Lokesh Ghai, Charlotte Linton, People Tree, Emlyn Firth, Raw Mango and Gabriella Marcella, were invited to explore and respond to the Turkey red archive (in particular the Bombay Sample Book) from the National Museum Scotland. They produced designs that evoke aspects of this industry whilst reflecting their own practice. The result is a range of garments and textile products, produced in India, presented alongside the story of their concept, process and production. The exhibition was conceived of, and curated by Katy West in collaboration with Tramway.

    This project has taken place through long-distance conversations and a workshop based in Gujarat, India, enabling multi-platforms to discuss ethics around design, production and distribution. The project aims to trial and support responsible production in ways that are sustainable, both ethically and economically. Working with small businesses, NGO’s, industries on one, and independent artisans, each aspect of production highlights positive ways to collaborative and commission, and highlight how small industries can make a big impact on global trade.

    The final designs at Tramway will highlight ways to consider slow-fashion through limited editions which give an insight into the print-making process and production of the designs by hand in India.

    The products will be on display from Friday 10 June to Sunday 24 July 2016.

    For more information about the exhibition please visit Tramway.

  • 22-May-2016 12:49 PM | Kimberley White

    Only a few days left for Scotland’s emerging fashion and textile designers to enter the exciting NU BLVCK design competition. NU BLVCK, an innovative new Scottish based fashion e-commerce platform, disrupting the world of fashion, is currently staging an open call to engage Scotland’s design community through a competition with a winner’s prize of £2,000. NU BLVCK is gathering a community of designers and celebrated artisans from Scotland to join NU BLVCK in its quest to change the conventional model in fashion.

    “…fast fashion has infiltrated the industry and as a result our wardrobes are saturated with mass manufactured, disposable clothes that give no consideration to original design, nor credit to the people who design or make them. NU BLVCK is redressing this with a completely transparent approach to design and manufacture and we’re creating beautiful limited edition fashion accessories. What’s even better is we’re doing it by celebrating the talent we have right here in Scotland.”

    The competition will lead to the curation of NU BLVCK’s first collection of fashion accessories. The debut NU BLVCK Autumn / Winter ‘16 Collection will be unveiled at an exclusive event on 2nd August which will take place as part of Glasgow’s Merchant City Festival which presents some of the best of Scottish and international art, fashion and entertainment.

    The evening will showcase the winning designs from the competition and guests will have the exclusive chance to get in early and pre-order products from the next big label to come out of Scotland.

    The design competition is open to all designers based in Scotland, for more information see www.nublvck. com/competition

    Competition closes 5pm, 26 May 2016.


  • 20-May-2016 12:52 PM | Kimberley White

    75% of the people who go to events do so to network, but the reality is that the networking part is usually restricted to small talk during the event’s coffee breaks. So, to help you meet potential cooperation partners, they’ve joined forces with Enterprise Europe Network to bring you a brokerage event. People meet and greet at high speed, 20 minutes is usually enough to build connections, then the bell rings and the next talk starts.

    How it works

    1. Register online and set up your profile
    2. Find businesses that match your interests
    3. Book bilateral meetings with these businesses
    4. On the day, we give you a schedule of meeting times

    Find out more and register at the website.

  • 18-May-2016 12:55 PM | Kimberley White

    XPONorth are holding a Creative Industries Festival on 8th and 9th June 2016 in Inverness. The festival sponsored by HIE and Emergents.

    XpoNorth is a creative industries network which operates all year round supporting and mentoring musicians, filmmakers, games developers, crafts, fashion and textiles designers, broadcasters, writers and publishers in the Highlands and Islands of Scotland and beyond.  This year, organisers expect increased attendance, with industry experts and emerging talent taking part in masterclasses, panels, one-to-one ‘speed networking’, music, writing and film showcases, networking parties, and hands-on training courses.

    In particular relation to textiles, there a variety of interesting textile elements including traditional craft, digital innovation and creative design.

    TFF are running at TradingZone session in the afternoon of the 9th of June and further information can be found here.

  • 23-Mar-2016 12:59 PM | Kimberley White

    The Scottish Textiles Skills Partnership is pleased to announce the launch of the inaugural Scottish Textiles Modern Apprenticeship Awards.

    The Awards will highlight how apprenticeships have made a difference to businesses and careers in Scotland by recognising employers that have fostered new talent by investing in apprenticeships, and rewarding individual apprentices who have made a significant contribution to their place of work.
    The Awards are being sponsored by Glasgow Clyde College, the Worshipful Company of Weavers, Scottish Leather Group and Alex Begg & Co.

    Applications are now open with the winners set to be announced at an industry event at Perth Racecourse on 4 May 2016.

    For more information on how to enter the Scottish Textiles Modern Apprenticeships Awards please visit www.textileskills.com

  • 21-Mar-2016 1:00 PM | Kimberley White

    An innovation and business networking event for companies interested in fabric technologies is to be held at the Mountain Bike Centre of Scotland in Peebles in April. The event is being organised by the Textiles Future Forum to “help convert ideas into real, commercially viable opportunities.”

    The event will be in a speed-pitching format and will help start-up and existing businesses obtain funding, work through design issues, solve manufacturing problems and gain market intelligence.

    Subjects to be covered will include:

    • Performance clothing – wicking textiles and breathable water proof coatings
    • Security – Body armour and protection
    • Medical and compression garments
    • Smart textiles and integrated electronics
    • Carbon fibre applications – high-end bike frames and components
    • Accessories – bags, footwear, gloves
    • Industrial textiles – e.g. use for construction in mountain bike trails

    The event will be held on Thursday, 21st April.

  • 18-Mar-2016 1:09 PM | Kimberley White

    It has starred in Downton Abbey, featured in Hollywood films and been worn by pop royalty like Jess Glynne.

    Now three fashionistas are on a mission to take Scottish lace to the heights of cool couture by showcasing the traditional textile on catwalks from Madrid to Hong Kong.

    Scottish designers Judy R Clark, Mairi McDonald and Elizabeth Martin have already made waves in the fashion industry in recent years with their independent labels.

    But despite having their own distinctive styles, all were drawn to the 19th century heritage of Ayrshire’s MYB Textiles mill, the only producer in the world still making patterned lace on original 100­year­old Nottingham lace looms.

    Judy R Clark

    Judy has been working with Scottish lace for the last four years.

    “It all started with mixing tartans, tweed and lace and having loads of fun with it,” she says, sitting in her Edinburgh studio surrounded by swathes of fabric.

    “It was making Harris Tweed and Scottish cloths feminine which hadn’t really been done for a long time because people were associating it with square boxy itchy fabrics.

    I went to visit the mill and I just fell in love with it. Just to see people weaving it and making it ­ it’s pretty incredible.”

    With a string of awards to her name and clients like Emeli Sande wearing her work, Judy launched an all­lace collection inspired by Victorian silhouettes at Milan Fashion Week in 2015.

    “I like all the historic pieces,” she says. “Anything that is over the top and dramatic, I’ll probably fall in love with it straight away. You can turn your hand to any fabric as long as it’s good enough. Clients come to me and they want that lace because it is made here. They love the connection. I think people are appreciating it more.”

    Mairi McDonald


    After training and working in London, fashion designer Mairi knew Glasgow was the right place to launch her label in 2013.

    Her brand has a rock ‘n’ roll vibe inspired by iconic female musicians like Janis Joplin, Chrissie Hynde and Patti Smith.

    And even Grammy award­wining singer Jess Glynne popped into her Trongate studio to find out about more about her work while in town for the MTV EMAs.

    Countless hours of research goes into each collection, but when Mairi discovered Scottish lace for the first time she immediately fell in love with its effortless feel and felt like it was meant to be.

    “I had never heard of Scottish lace,” Mairi says, while picking out her favourite pieces.

    “I liked the cotton lace from Scotland because it was quite day to night, quite dress up or dress down.”

    Having shown consecutively at both London and Paris Fashion Weeks, it’s not just Mairi who is a fan of Scottish Lace, with the two bestselling pieces from her first collection featuring the fabric.

    “Fabrication is such a key thing,” she says. “Everything has to be perfect, everything has to work well. Essentially, I am always mixing lace with silks and chiffons and ribbon details.

    It is how you put it out there and what you put it together with that I think makes it really stand out.

    I think if you are doing it in a new contemporary exciting way, and really changing the viewpoint of how people perceive particular Scottish fabrics.”

    Elizabeth Martin

    elizabeth martine tweed image 1 2015

    Elizabeth’s love of fashion stems from her grandmother, a keen seamstress who was always making clothes.

    Beautiful fabrics have always caught her eye, having spent over a decade working in soft furnishing. Four years ago she decided to jump into the world of fashion and has never looked back.

    “I decided I wanted to use specifically Scottish fabrics and they had to be made in Scotland. I am still strong on that,” she says.

    “Their [MYB] lace is exquisite and has a heritage and provenance which Harris Tweed has as well.

    “People like a story. We all like a story.

    “I thought that would be a brilliant idea to make up some designs using lace but trimming with Harris Tweed.

    “I thought it was a lovely combination .The cream or black lace with a pop of colour.

    “It is a hidden gem.”

    myb margo graham

    Earlier this week, Elizabeth joined MYB Textiles at Scotland Re:Designed as they flew to Hong Kong to promote Scottish fashion and textiles to a global audience.

    MYB’s lace designer Margo Graham says it is the perfect platform for the fabric and makes for an exciting chapter in the mill’s century­old story.

    Having started work in the lace industry when she was 17, Margo followed in the footsteps of her mother, a lace designer, and her grandmother who was a darner.

    The mill, which has brought its 100-­year-­old looms into the digital age by connecting them up to special design software, has seen its lace feature on the sets of hit drama Downton Abbey and Wes Anderson’s recent film The Grand Budapest Hotel.

    “It is sometimes hard to sell something as ‘Scottish’ without it becoming twee,” Margo says.

    “We have got the traditional element, which will always be there, but it’s not just traditional lace we can make.

    “We make abstract designs and quite modern lace with different colours.

    “I think since the recession, people are thinking you should buy British and keep industry in Britain.”

    See the full article by Pamela Tulloch here

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